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TL Audio Users




Use this form to view TL Audio Users by product


Curtis Lynch Jnr : 5051

I use the 5051 mainly for mono signals such as a lead vocal, bass lines and of course drums. The warmth and good presence that this machine generates is second to none. The style of music that I do requires edge and this is what I like about the 5051 because itís almost impossible for it to distort your music. Whether itís the EQ, compressor or the gate or all at the same time you can push it to a limit where other machines cant handle it
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Edwyn Collins : 5051

It really does have a sound and character that I find is missing in a lot of current audio products.
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Sean Vincent - Kim Wilde : 5051

The 5051 has been a pleasure to work with. It blows away the mic amps on even the most expensive Midas desks and the compressor and EQ make it so much easier to get a natural sound for Kim's voice
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TW Watkins - Wyclef Jean : 5051

The difference when you plug it in is like night and day.
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Aubrey Nunn : 5052

Originally I used to track everything through a basic analogue mixer and thought everything sounded fine ?it was only by actually plugging TL Audio boxes in that I became acutely aware of how much better things can sound.
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Mad Professor AKA Neil Fraser : 5060

The 5060 is very warm, in this day of digital it puts life back into your sound. Man this product is so warm itís hot!
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Bernie Becker - Neil Diamond : A2

The unit worked amazingly greatÖ just what we needed to get a little analogue in a digital signal path. The compressor worked really well with the adverse levels we threw at it and the tube stage and EQ really shined
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Hank Shocklee, Bomb Squad, Public Enemy : A2

The A2 sound quality was impeccable... the sound quality was bigger, the stereo seperation was incredible, the compression was tight and the overall sound was big and loud but at the same time it wasn't harsh or brittle
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Commissioner Gordon : A3

The Ebony series A3 has become my go to piece. Thick, punchy, gritty..........TL Audio does it again!!!
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Chris Fogel - Engineer - Alanis Morissette : C-1

"I was amazed at what the C-1 did for the track. The bottom end was warm and solid and the high end was clear and open."
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Lynyrd Skynyrd : C-1

The increase in intelligibility and signal quality was immediately noticed by all.
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Maor Appelbaum -Producer / Engineer / Mixer / Mastering Engineer : C-1

The smoothness and warmth that the C-1 tube pre-amp /compressor provides to each track or mix is awesome! The big, creamy and punchy sound, places the instruments right in the mix.

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Mark King : C-1

It has a marvellously transparent sound that I find ideal for vocals.
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Jon Astley (Jimmy Page) : EQ-2

I had auditioned other valve equalisers for the Led Zeppelin album, but the EQ-2 came out on top since its sound suited the project so well - both Jimmy Page and I loved it for the sort of top end we wanted.
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Tori Amos : EQ-2

Tori started using TL Audio products on the 'To Venus and Back' album. Having purchased C-1, EQ-2 and 5051 units she declared that all the units are highly musical. - (Engineers - Tori Amos)
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Berndt Baumgartner : FATTRACK

I bought the Fat Track to have as a centerpiece in my studio.
The Fat Track is one of my best investments ever, itīs very nice to work with and
most important, it sounds great! Nothing beats analog summing.
I love it.

Thank you for a great product.
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C-Swing / Colin Emmanuel : FATTRACK

An amazing piece of kit perfect for all musical styles and situations instantly adding clarity, depth and warmth to your sound. A little desk with a huge sound
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Don Bartley : M1

"Its the only all tube console on the market perfect for warming up the digital age."
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Placebo - Stefan Olsdal : M1

The TLAudio tube tracker M1 is bringing some much needed warmth into my world of digital recording
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Andy Barlow - Lamb : M4

I love the M4 , its got a great sound , well done and i am loving it , thank you and the TLA team

Big ups !!!!!

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Athlete : M4

This desk sounds great, the EQ's really good but even just putting it through the channel sounds warm - and its really affordable... it doesn't break the bank... you just plug in and it sounds good.
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James Wiltshire - The Freemasons : M4

Our 16 channel [M4 Tube Console] mixer really has proved to be one of the most vital purchases we've made over the last few years
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Courtney Pine : PA-1

"It's become an essential piece of kit for my live set up."
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Walter Samuel (Van Morrison) : VP-1

A very pleasing valve warmth
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Zombie Nation : VP-1

Since Iíve bought my VP-1s theyíve been used nearly all the time.
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Cauldron Studios : VTC

I just love the sound of the VTC. Itís big, fat and wide, and because the EQ is so warm I find myself dialing in a wide bandwidth and just piling it on
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Chris Tsangarides : VTC

As far as the console goes, there's nothing in its price range to match it - its ease of operation is second to none, and it sounds great. It really is a pro desk at a semi-pro price
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Damon Albarn - Blur : VTC

"The VTC fits perfectly here because it's ergonomics are simple, logical and flexible - and it sounds absolutely amazing! Every aspect of it is attractive - the way it looks, the way it sounds and the way it functions."
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Dave Jones : VTC

Iíve finally lost my fear of over-EQíing material - the console really lets me pile it on without destroying the sound.
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Dizzee Rascal : VTC

"We recorded and mixed on a 32 channel TL Audio VTC valve console installed at my London base, ĎBelly of the Beast Studios."
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Earthworks Studios : VTC

The VTC has easily been the best equipment purchase Iíve made since setting up Earthworks
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EMI Music Publishing : VTC

"When we saw the console we knew instantly that we had to have it. The EQ on the VTC is really detailed, making it easy to pick out what you want... it really is a monster piece of kit!"
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Gunnar TÝnnesen : VTC

The mixer is so pleasant sounding, and also reveals qualities in the equipment connected. Not only high quality microphones and outboard, but also modest stuff like dynamic microphones, cheaper processors and my vintage keyboards now show new sides that I never knew existed.
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Guy Berryman - Coldplay : VTC

Its very hands-on, very simple - it feels good and the EQís are very musical. You donít have to play around for a long time to get a good sound from the channels. Itís certainly got a lot of musicality about it and its just very flexible.
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Joe Bennett - Bath Spa University : VTC

The quality of preamps on the VTC really attracted us. We needed the highest quality front end and wanted to keep the signal path as simple as possible with only one A/D stage. The VTC allows us to do that and it gives us that high quality valve sound
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Kipper - Sting : VTC

"I just fell in love with it - Iíve never achieved a sound as warm and luscious as Iím currently getting, and having this vibe at the early stages of writing and recording is really spurring me on. The VTC is an absolutely inspiring desk to work with!"
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Morcheeba : VTC

Since we mix entirely within the Pro Tools environment, we really treat the console like a rack of outboard on its side!
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Richard McNamara - Embrace : VTC

I was looking for a console that was not only functional, but was inspirational as well.... I found it!
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Tom Misner : VTC

Working with ProTools HD and then mixing it on the valve console is the magic combination. The first three albums I've produced on it sounded great, and the musicians loved it.
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Toploader : VTC

All the elements of the VP-1 sound excellent.
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UFO Studios : VTC

I was captured by the nice design of the VTC, and since I was looking for a good sounding console, I checked out the EQ - and was immediately impressed by its warm sound, which even in extreme positions doesnít sound harsh.
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Underworld : VTC

The VTC starting earning its keep straight away by allowing us to check the original masters for the new DVD release. I knew I could trust what I was hearing though the console, and we were instantly happy with the sound we were getting. Now the VTC has become part of our writing process, since we tend to write and mix material at the same time.
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